The central theme of the project is the excess of uncertainty—a state in which nothing can be done about uncertainty itself, as it possesses no qualities other than the persistent sensation of something that could have brought clarity continually slipping away and vanishing. Uncertainty is always excessive; it is precisely its unique status of non-manifestation that allows imaginary constructs—striving to grasp something concrete—to unfold. Therefore, the images in the works are not read as belonging to the material world; they offer only hints and allusions to something vaguely resembling a human body, yet transformed and reassembled as if by chance.
These indeterminate figures also serve as a metaphor for the point of contact between the subject and the Other in psychoanalytic theory. The incomprehensibility of the Other constitutes a site of uncertainty—one that triggers the imaginary dimension and the formation of the fantasm. Even when viewers impose their own judgments and interpretations onto these ambiguous images, symbolizing what they see, a remainder always persists: this residue is an intrinsic part of the surplus generated by uncertainty.
Here, the aesthetic perception of reality and abstract concepts takes form through boundaries defined by ornamental patterns or color—elements intended to capture the unknown and, in doing so, reveal to the viewer visual paradoxes, compromises, and entanglements in the guise of figurative abstraction, with decorative treatment of the visual elements.