The central theme of the series is the excess of indeterminacy—a condition in which nothing can be done with indeterminacy itself, as it possesses no characteristics other than the sensation of perpetual elusiveness and disappearance of that which might otherwise bring clarity. Indeterminacy is always excessive; it is precisely its peculiar status of non-manifestation that allows imaginary constructs—striving to grasp something concrete—to unfold.
Consequently, the images in the works are not legible as belonging to the realm of objects; they offer only hints and allusions to something resembling a human body, yet transformed, reassembled as if by chance. These indeterminate figures also function as a metaphor for the site of encounter between the subject and the Other, as theorized in psychoanalysis. The incomprehensibility of the Other constitutes a locus of indeterminacy—the very condition that triggers the imaginary dimension and the formation of fantasy. Even when the viewer imposes judgments or interpretations onto these ambiguous forms, symbolizing what is seen, there always remains a remainder—an irreducible surplus belonging to the excess of indeterminacy itself.

Here, the aesthetic apprehension of reality and abstract concepts is embodied as form, whose boundaries are delineated by ornamental patterns or color, deployed in an attempt to seize the unknown. In this pursuit, the viewer is presented with visual paradoxes, compromises, and entanglements, manifested as figurative abstraction, with decorative treatment of elements within the visual field.